01 / 04 // ORIGIN
1991
Los Angeles
Born in Los Angeles.
SEC-01 // IGNITION // T-MINUS 00:00:03
(pronounced Sure-vin Car-un-day) · Bellevue, WA
Marketer. AI builder. Producer. Maker.
I make things for a living and for fun. This site has a bit of both.
I keep finding ways to make the two work together.
And lately, I've been going deep into multi-agentic orchestration and what it makes possible.
SEC-02B // ORIGIN // THE ROUTE SO FAR
01 / 04 // ORIGIN
Los Angeles
Born in Los Angeles.
02 / 04 // MOVE
The Seattle area
Moved to the Seattle area.
03 / 04 // COLLEGE
Eugene, Oregon
University of Oregon. Journalism.
04 / 04 // HOME
The Seattle area, again
Back in the Seattle area, and I've been here since.
SEC-03 // ROUTE DATA // 2010 TO NOW
Hover or tap a leg to pick out a role.
SEC-03B // WHO I'VE WORKED WITH
Names only. Sizes are a rough guide, not to scale.
SEC-04 // SYSTEMS
I run a team of Claude Code chats, and a team needs a watchtower. So I built Watchtower, a private dashboard that shows who's working, what they're costing and how close they are to their limits.
It reads the logs Claude Code already saves on my computer. Nothing gets uploaded.
01 // CONTEXT
How full is each chat.
A live percentage for every chat, with warnings at 60%, 75% and 90%, so nothing runs out of room mid-task.
02 // COMMS
Who's talking to whom.
Every message between chats, grouped into threads. It spots loops and flags anyone who is stuck.
03 // LIMIT CLOCK
When it resets.
My 5-hour and weekly usage limits, counting down in the header.
04 // LEDGER
Cost by role.
What each role is costing. On my plan this is the API-price equivalent, not a bill. It shows where the usage goes.
05 // REPLAY
The run, hour by hour.
A timeline of how a build unfolded, so I can see what happened and when.

LEAD // OPUS plans and reviews
WORKERS // SONNET build, design and write
HELPERS // HAIKU look things up and check screenshots
Strongest model where the judgment is, cheaper models where the brief is clear. How this site was built →
SEC-04B // WORK, IN ORDER
Cloud and IT, launches, research, writing, and lately AI. The same subjects, a few more angles every year.
Who it's for, and what to say.
Market reads for cloud and IT buyers.
What to try, what to skip, how to measure it.
Long pieces, short pieces, lots of editing.
Many teams, one date, a long checklist.
Personal AI projects, on my own account.
[Placeholder areas]
Audio · production
Graphics · Adobe Suite
Graphics · Adobe Suite
Video · edit
Video · motion
Video · grade
AI · agent team on Opus, Sonnet, Haiku
Marks are my own abbreviations, not logos.
SEC-05A // THE SOUND SO FAR
What hooked me was the potential for unlimited sound design that technology offered.
SYNTHWAVE · DISCO · FUNK · AND A LOT OF BASS
My first project. Neon, chrome and drum machines, made in Ableton.
INSPIRED BY
SEC-05 // KERSIV // NOW
House, UK garage, dubstep and drum and bass. The desk, the patterns I think in, and the images my music sounds like.
SHAPED BY
R-05 // THE RIG // BUILT, NOT BOUGHT
Nothing fancy here, and that's the point. Four controllers, one session, and every piece earned its spot by helping a track get finished.
G-05 // THE PATTERNS // 16 STEPS, FOUR GENRES
T-05 // FEATURED TRACK // KERSIV
T-06 // MORE FROM KERSIV
T-07 // MORE FROM KERSIV
I-05 // VIBES
R-06 // OUTPUT // KERSIV
House, drum and bass, UK garage and dubstep. That's the lane I make music in, as KERSIV.
Listen to KERSIV ↗SEC-05B // LISTENING // THE MUSIC
The soundtrack to everything I make. These are on repeat.
LISTENING TELEMETRY // FOUR WAYS TO READ MY MUSIC
Placeholder numbers until I connect my real listening history.
3
2
1
Endless curiosity is what drives humanity forward.



SEC-07 // ORBIT // WHAT KEEPS ME GOING
The things I keep coming back to. Some are enormous and some are loud, and they all end up in what I make.
The James Webb Space Telescope, Hubble, and the deep-field images. Every one is a reminder of how big this is, and how little of it we've seen. I never get tired of looking.
Hamilton, Verstappen, Vettel, Schumacher, Ricciardo. Hundreds of people, thousands of parts, one tenth of a second. I love anything where the details decide the result.
The Matrix is my favourite film, and yes, I defend the sequels too. Then Star Wars, The Lord of the Rings and Harry Potter (the films and the books), and the games Halo and Mass Effect. I like a world I can get lost in.
I lean absurdist. The universe doesn't care, so we get to decide what matters, and I find that freeing.
Five telescopes that changed how I see the universe.
One must imagine Sisyphus happy. Credits